I liked the abstract shapes in the background formed by the shapes of the canisters, stove and sink. I kept them very undefined and emphasized the warm and cool relationships in the darks and used the large dark shape to emphasize the rose of Sharon. I introduced some of the colors in the flowers into the grey areas. I also created passage from the positive shape of the flower to the negative shapes of the background. Notice the lost edges where the value of the flower is the same as the background. These passages give the painting a looser look and keep the shapes from looking cut out and pasted down.
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